On Monday 18th November I was
asked by Honey Tongued Theatre Productions in London to film rehearsal footage and
interviews for a slot on Croatian national television news.
Honey Tongued is a
collaborative project which showcases Croatian dramas to a British audience. I worked with Honey Tongued Theatre
Productions earlier this year when I was filming the Croatian drama festival
held at the RADA Studios in London. That
project included rehearsal footage, interviews with the Artistic Director,
several of the cast and also the Croatian Ambassador in the embassy. That footage was also used by Croatian
television.
The new production that I
covered today is called Hedgehog's Home, and is a translation of a famous
Southern European children's story. The
production is a musical and is being performed by a cast consisting of both
Croatian and British actors, and is playing at the beautiful Tabernacle Theatre
in Notting Hill before going on tour.
My footage is being sent to the Croatian TV news editors who will edit the piece together and play it out on the Croatian TV news as a feature. My brief, which I successfully fulfilled, was to set up and record clear interviews, of high quality, that will edit together to explain and demonstrate the production so the TV audience in Croatia can learn about the collaborative drama projects between Croatia and the UK.
I attended the Tabernacle and
set up and conducted the first interview with the director of the play, Gary
Wright, in the rehearsal room / dance studio.
For all the filming I used my Canon 600D, which was a good move as the
picture is very clear and there is no file conversion required which meant that
I can provide a quick turnaround for the news channel.
In the dance studio I also
filmed the character of 'the fox' (all the characters are animals) doing one of
her dances. This was really good to
start with, but as she got closer to the camera there was a certain amount of
shaking as dance studio floors have quite a lot of spring in them. To combat this problem, I used the long wall
mirror of the dance studio to good effect and asked Tori to perform the dance
again and this time I was able to shoot it from a different angle: to the side
and almost from behind, and far enough away that the floor didn't bounce, and
she could be seen from behind but also from the front in the reflection of the
mirror. with the first, face on first segment cut with the second part of the reverse shot, it will edit together well.
After Tori's dance I
interviewed Gemma who is playing the narrator.
The play is sung all the way through, and there are different styles of
songs throughout. As narrator Gemma gets
to sing bits of all the songs and I asked her to talk about this. After the interview I filmed Gemma singing
one of the numbers from the play, first at the piano in the rehearsal room, and
then on stage in the actual theatre. I
thought this would give the news editors a choice of using one or the other,
or indeed both, in their feature.
The final interview was with
Filip, the Artistic Director, who is Croatian and who has organised the
Croatian drama festival and this production.
For his interview I positioned
him on the balcony with the stage and lighting rig behind him. The Tabernacle is a wonderful old hall, very
smartly refurbished and made a wonderful backdrop. Although the house lighting was darker than I would have liked so I upped the ISO on the camera which compensated for the lack of light but did add some graininess to the shot. This was a move I didn't really want to have to make, but Filip was insistent on having his interview conducted in that position on the balcony although I would have preferred it to have taken place on the stage where we had better lighting opportunities. I suggested this to him, but when he watched back the first bit of the interview as done on the balcony, he was pleased with it anyway, and wanted to continue in that position.
Filip's interview answers were
given in Croatian, which was interesting to film as I was listening out for the
rhythm, rather than the words, to determine natural edit points.
I love working with Honey
Tongued, I enjoy filming theatre productions and their documentaries. I do it is a one man team, writing the
questions, doing the interviews, setting up the subjects, framing the shots,
shooting and editing (when required). As it is something I love doing, I happily do all
the work required to get good footage.
I've said all along that my
preferred career would be freelance film maker in the areas of sports
documentary or theatre productions.
With regular work coming in
from Claremont Media group for matchday filming and sports news features, and
Honey Tongued theatre based film work, I am getting lots of experience, and good feedback (and repeat work) from
both. And I am thoroughly enjoying it!






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